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题目材料：
Musicologist: Music critics writing for the general public in the early nineteenth century in Paris routinely disparaged the symphonies and operas of the eighteenth-century composer Mozart. But it is likely that these works by Mozart were nevertheless very popular among ordinary Parisian concertgoers, since a significant proportion of the extant programs from large public concerts given in the early nineteenth century in Paris feature Mozart' s symphonies and operas.
Which of the following, if true, provides the most support for the musicologist' s argument?
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A.Most regular concertgoers in early-nineteenth-century Paris were not avid readers of the music criticism written for the popular press.
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B.Those people on whom early-nineteenth-century French composers depended for patronage seldom attended large public concerts.
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C.Programs from most of the large public concerts that were given in Paris in the early nineteenth century have survived to the present day.
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D.The diaries and journals of professional musicians who lived during the early nineteenth century indicate that those musicians enjoyed playing the works of Mozart more than they enjoyed playing the works of most other composers.
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E.Not all the pieces that were listed on the programs from free public concerts in early-nineteenth-century Paris were actually played during those concerts.
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