最新提问
我的动态
登录后查看动态
题目内容双击单词支持查询和收藏哦～
题目材料：
Robert Philip argues that the advent of recorded music has directed performance style into a search for greater precision and perfection, with a consequent loss of spontaneity and warmth. Various expressive devices once common in classical music have been almost outlawed, including portamento (sliding from one note to another on a stringed instrument), playing the piano with the hands not quite synchronized, and flexibility of tempo. Philip fully documents these changes. However, other forces independent of recording were also at work. For example, the freedom of tempo so valued by Philip was, in its time, both a necessary expedient and disastrously abused. Recording alone did not cause the reaction against it, although hearing a particularly unintelligent use of it on disc may have reinforced the prejudice.
· 相关考点
事实信息题
以上解析由 考满分老师提供。
