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African American painter MaIvin Gray Johnson (1896-1934) grew up in urban environments, including New York City, but in 1934 visited and painted scenes from the small town of Brightwood, Virginia. Some critics have celebrated the Brightwood paintings, which depict a vibrant natural landscape and close-knit Black community, as Johnson's discovery of an "authentic" African American life in the rural South. This view, which reflects a common tendency to regard African American artists, imagery as unmediated documentation of direct experience, overlooks Johnson`s interpretive thinking. In truth. Johnson's conceptualization of the South was largely formed before he left New York, where he had studied the French expressionist Paul Cezanne. Johnson's Brightwood paintings reflect Cezanne's stylistic influence and tendency to present rural lite as an idyllic alternative to modern industrialism.

The author suggests which of the following about "some critics” mentioned in the passage?

A.They mistakenly tend to regard Johnson's Brightwood painting as more artistically sophisticated than Johnson's earlier work
B.They overlook certain parallels between Johnson's Brightwood paintings and paintings produced during the same period by other African American artists
C.They hold a view of Johnsons Brightwood paintings that most scholars find unpersuasive
D.Their view of Johnson's Brightwood paintings overlooks the extent to which Johnson imposes a particular conception of rural life on the scenes he painted
E.Their interpretation of Johnsons Brightwood paintings has helped illuminate Johnson's feelings about the rural South

D显示答案

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